My Revised Ebook on Setting up Apple's Wi-Fi Routers

For a decade (!!), I've been writing and revising a book on using Apple's Wi-Fi routers. Long ago it was Take Control of Your 802.11b AirPort Network, and the current, fifth edition has the moniker Take Control of Your Apple Wi-Fi Network. This latest update (a bit late and all my fault for that) brings the title up to date for 802.11ac, the newest and fastest flavor of Wi-Fi, as well as OS X Mavericks, iOS 7, and Windows 8.1.

The book's designed for any home or small-business user who finds that the basic information Apple provides isn't enough. While I fully agree configuration has never been better for Apple's AirPort Extreme, AirPort Express, and Time Capsule base stations, if you want to configure network layouts or network details outside of quite standard arrangements, you might feel at sea. This book is designed to help.

I go through how to set up basic networks and more advanced ones, including creates pods of Ethernet-connected or Wi-Fi–linked base stations (and mixed groups), as well as walking through all the networking settings and how to use them for specific tasks. I fully explain the ins and outs of AirPort Utility both for OS X and the similar, but more limited iOS version. And I tell you how you can make the Eye of Sauron appear on your Mac.

For instance, you can choose a static, unchanging local address for any computer or device on your network through DHCP Reservations. It's several steps with a few choices, and I take you through that. The book also explains frequency channels and the various Wi-Fi/802.11 standards, and how to site your equipment ideally and troubleshoot it when it doesn't work.

For more details on the book—which is available in DRM-free PDF, EPUB, and MOBI that you can use anywhere without restriction—and a downloadable excerpt, visit the Take Control page. At $20, it could save you an amount of frustration you can't stick a price tag on.

 

Art Prints from the Book Campaign

I've put up for sale art prints that we offered as part of our Kickstarter campaign last year. We have a few left of both the cover print by Amy Crehore (with no type on it, just her painting) and of Olivia Warnecke's moths and butterfly illustration. Both are printed on archival paper in limited editions. Amy's is additionally signed and numbered. You can purchase from our Tugboat Yards page.

Amy Crehore's cover painting

Olivia Warnecke's painting.



Future of Publishing Podcast

I've just launched a new podcast about the future of publishing (analog, digital, periodical, books, games — everything) called The Periodicalist. A lot of friends and colleagues have helped make this happen. Our first episode is "The Netflix of Ebooks," about how some startups offer subscription access to large libraries of ebooks on an all-you-can-read basis. Is this sustainable? Can publishers afford to be involved? Do readers benefit from this model? My co-host for this episode, Jane Friedman, and I discuss the ins and outs for authors, publishers, and readers.

You can listen or download below or at the site. The RSS feed to subscribe to the podcast is available, and it will be listed in iTunes shortly!

Every Book Is Its Own Hardware

After reading about an ebook-only library, the only branch in the county system that serves San Antonio, Texas, I wrote a long essay that reflects a couple of decades of thinking about books, libraries, and going digital. Right now, the copyright and licensing regime for ebooks is very poor for libraries, and thus for their patrons, even though the utility and ease are extremely. People are reading more than ever and more unique books are being published than at any time in human history by probably a factor of three or four, if not a full order of magnitude.

And yet—publishing clinging to physical models in a digital world is holding back readers as buyers and readers as library patrons. Established publishers have every reason to fear the creative destruction underway. But they have to embrace it. They have no alternative. And the current model doesn't work well at all for libraries.

When you have a library full of printed books, every book is a self-contained apparatus: every printed book contains the hardware and data necessary to allow human wetware and our operating system to interact with it. One needs no intermediary for the contents of the book. Each book stands alone.

Read the whole thing.

 

2013 in Review

Last year, inspired by Joe Kissell, I wrote a summary of the enormity of what 2012 had encompassed. It was freaking huge. Joe enumerated for years all the words, books, articles, and such like he worked on. This year, I'm inspired again by Joe: he decided to stop the extensive documentation of his year, having felt he'd proven his productivity. I'm somewhere in between: less documentation than last year, but still quite a bit to share.

In June, I bought The Magazine from Marco Arment. It's been one of the greatest things I've worked on in my life, and it's a constant joy of collaboration with contributors both before and after the purchase. We just put out Issue #33 — we produced 26 issues during 2013, and now have some subscribers who are paid up though the end of 2015. We'd better deliver.

I launched the weekly podcast The New Disruptors in December 2012. With the help first of Mule Radio, and then my brother in law, Michael, we put out 51 episodes in 2013. (We skipped a New Year's episode last year, but had one for 2014, so we'll probably hit 52.)

I've been writing for the Economist since 2005, but 2013 was probably one of my biggest years as a contributor:

  • I crossed 300 blog posts for Economist.com, most of them, but not all, for the Babbage blog.
  • I had my first cover story (cover of the American edition, and the inside Technology Quarterly section) about the sharing economy.
  • While I often have one or two TQ articles a year in the print edition, this year I not only had the three-page sharing economy article in first quarter, but a long piece on keeping probes and landers working throughout the solar system and beyond (co-written with my long-time editor and friend Tom Standage), and then a two-page look at Bitcoin's technological pressures in the fourth quarter.

I wrote fewer articles in 2013 for other publications between my devotion to The Magazine and my gig at the Economist's blogs, but I did write a few long items for Boing Boing, my home away from home:

As has been true for a few years, one of the most fun things I do during the year is be a panelist on The Incomparable, a geeky radio show developed by friend Jason Snell. This year, I wasn't able to be on as many episodes, but I did make sure to be part of two very special ones. Friend of the podcast (and now regular panelist) and playwright David Loehr wrote radio plays we performed—two of them—as The Incomparable Radio Theater of the Air! The first aired April 1 and the second over the December holidays. (Then we spent almost two hours talking about how we made the Christmas spectacular!)

David combined a true love and deep knowledge of old-timey radio theater and serials (shared by many of us in our 20s, 30s, and 40s, surprisingly, on the podcast!) with mild parody and great writing. Jason did most of the editing, with an assist from David in the latest production. Serenity Caldwell, who studied radio-play directing in college (!!), did a fabulous job directing us mostly amateur actors. I played Tesla in a sort of Doctor Who tribute/parody in both shows, and did a plummy New England stuffed shirt as a minor character in the first one. (What's that?)

After years of not traveling much, I was on the road quite a bit for both personal and professional reasons in 2013. I went to Los Angeles in January to visit Jet Propulsion Lab for the Economist story and several Babbage posts, and dropped in to watch a taping of Jeopardy's Tournament of Champions in which two contestants were people I had met during my stint on the show in 2012.

In February, I flew to D.C. to help a friend move to New York, and we wound up driving a moving truck into the biggest blizzard of the year. It was very entertaining, the roads were fine, and we had quite a story to tell. I met up with three of my oldest friends there, too, for a mini-reunion, our second. In March, I was back in New York for a quick visit with a dear friend and some meetings.

I stayed home a bit, then our family, my brother-in-law's family, and my father- and mother-in-law all went to Kauai for nearly a week! Which was great, except I was feeling a bit crummy during the trip. We came back, I saw my doctor, he ordered some tests, and I wound up getting a stent put into one of my main arteries. Turns out the radiation therapy I had had in 1998 to help cure me of Hodgkin's Disease caused some early onset of cloggage. The stent took, I feel terrific, and my heart is in great shape.

I went to the XOXO festival in September, which was another wonderful meeting of so many creative people: finding old friends and online acquaintances, and making piles of new friends. November, I flew back to New York again to record a podcast live at a conference, and then to San Francisco and Los Angeles in December for meetings, meetups, and renewals of friendship.

The year ended with a bang. I had long planned to stage a Kickstarter campaign to underwrite production of a book drawn from The Magazine's first full year in publication (October 2012 to October 2013), and we raised over $56,000 in 29 days, with over 1,000 hardcover books and even more electronic versions that we'll be shipping off in the next two months.

I finally got a Fitbit in 2013, and have been quantifying myself. I started using a treadmill that fits under my standing desk in earnest, and spend about 3 hours a day walking and the rest standing. Fitbit's stats tell me that from May to December 2013, I walked 1,025 miles (2.4 million steps), and climbed the equivalent of 2,424 stairs. I lost about 25 pounds after my heart stent was put in place, and while I've gained a few back over the holidays, I'll be pushing for 50 more off  in 2014 and into 2015 to reach a goal weight my doctors are happy with.

I made a lot of new friends in 2013. Because of the travel many "Twitter buddies" became real buddies. (I may have tweeted 50,000 times in 2013. Sorry.) I turned some people from acquaintances into some of my closest friends, and encountered and gave a lot of love, which is what it's all about. I'm hoping for a little bit less of a hectic pace in 2014, but more fulfilling work, collaboration, love, and happiness, which I wish for you all as well.

Approaching Halfway with Kickstarter

The Magazine: The Book is nearly at 50% of the goal we need to make it happen.

Kickstarter campaigns can follow a few arcs.

They can flatline, which is about 20% of them, last time I was able to get statistics. 20% of all projects approved by the company get no bids. Another 20% get less than one-fifth of the way to their goal amount. 16% of all projects fail between about 20% and 50% of the total amount they plan to raise.

But at the halfway mark, when you raised 50% of your total, the odds are pretty dramatic: 97% of Kickstarter projects that fund halfway proceed to fund fully by the end of the campaign.

We're about 48% of the way to our total, and I'm confident that, as we hit our last 12 days, we'll start to see some steam as people both see that it's coming to a close and it's not fully funded. It's an exciting thing, and daunting, and nail-biting. But we'll get there.

The campaign is to make a hardcover book of some of the wonderful stories that reporters and essayists wrote between October 2012 and October 2013 (and an ebook as well). The reward for pledging is the book! (And more.)

The campaign covers all the costs of paying for design, printing, shipping, and contributors, and will leave us with some print books left to sell and the ebook to offer online. It's a great way to run a project like this: to scale production with actual demand.

I'll admit that it's scary to sit here with about 33% of the time and 50% of the money left to go — but I also feel strongly about the stories in the book, the design that's being created for it, and the interest in making something cool and new that people will enjoy. Thanks for those of you who have backed the project already, and I hope those who haven't will consider jumping in to get a copy as soon as it's hot off the presses!

Help Us Make a Book

After some months of planning, I launched a Kickstarter campaign today to produce a hardcover, offset-printed book of essays and articles drawn from the first year of The Magazine's publication. Over two dozen essays about a huge range of topic — aging chickens, D&D, becoming a superhero, a 60-foot-tall lava lamp, and much more — are featured in the book.

I turned to crowdfunding because printing is expensive, and it made sense to build a project that could scale, but wouldn't start unless the necessary interest were expressed. As I post this, the project is nearly one-quarter of the way to its basic funding after about eight hours! It's quite exciting. 

Join in on the fun, and get a great, beautifully designed book (and an ebook version, too). You can download a preview to see what it will look like and watch the video below, too.