Yes, We Have Some Bananas!

Updated: We sang it!

Celebrate the entry of everything first published in the U.S. in 1923 into the public domain this January 1st by singing, “Yes! We Have No Bananas,” a 1923 novelty song that is no longer protected by copyright as of midnight on New Year’s Day! The tune is a send-up of a greengrocer one of the songwriters met, who started every sentence with “yes,” even when the answer was “no.”

With the January 1, 2019, expiration of 1923 copyrights in the U.S., anyone can perform that song without license or fee (and even release a recording for free or charge for it), along with thousands of other tunes (mostly forgotten) from that year.

I’ll be leading at least one chorus among New Year’s celebrants at my house at a midnight past midnight Eastern, and then post it to social media.

Here’s the original sheet music.

(I recommend avoiding Louis Prima’s and similar versions that play up a jokey ethnic style; the song’s original lyrics celebrate inventive use of language, rather than ridicule the speaker!)

(Audio recordings have a very different set of rights, recently modernized by Congress in a remarkable show of compromise among musicians, companies, and political parties. The above 1923 recording remains under separate copyright protection—called a “phonogram” right—for several years longer. If I’ve done my math correctly, a 1923 recording expires January 1, 2024, or to the end of the calendar year 100 years from its initial protection.)

Whose Words These Are

I have an article in the January 2019 issue of Smithsonian magazine about the potential cultural impact of the expiration of copyright on nearly everything published in the U.S. in 1923. With few exceptions, everything that had proper initial notice and filed for copyright renewal from that year in 1951 (renewal was once required) will enter the public domain on January 1. It’s exciting, as it starts a 54-year cycle of annual releases of each year from 95 years prior into the public domain.

“Stopping by Woods on a Snowy Evening” is a prominent bit of literature from 1923. Robert Frost’s poems have had zealous copyright enforcement. It even featured in a landmark Supreme Court case, Eldred v. Ashcroft, in which the Supreme Court decided that the “limited terms” of exclusive ownership defined in the Constitution meant any duration that Congress picked.

In honor of “Stopping by Woods” upcoming entry into the public domain, I wrote this bit of doggerel. (A fancy typeset version appears below.)


Whose words these are it’s clear to see,
He wrote them back in ’twenty-three.
His reps have never stopped the fight
To limit use by copyright.

James Madison would think it queer
That rights this long could stay so dear,
But courts have let extensions be
Despite the case of Eldred v.

The house of publication shakes
Off questions that renewal breaks
In ’fifty-one, a form not sent—
No one tried to show dissent.*

The words are lovely, free and clear,
With oceans more that will appear.
And years to go before release,
And years to go before release.

*In an example of the kind of complexities that surround copyright, the poem first appeared in The New Republic, and may have not had proper renewal in 1951. It’s possible it’s been properly in the public domain for 67 years.