End of quarter and scheduling apace

The quarter at SVC ended a couple of weeks ago, and I thought I’d share in one place the three projects I created. I’m very happy with all of them, but the greeting card is probably my favorite, because it’s totally original. The three items (clockwise from upper left) are a poetry broadside (poster) as part of a fast workshop in cooperation with Copper Canyon Press; a broadside celebrating The Incomparable podcast network, using elements from our logo; and a greeting card that relies in part on photos I took.

The next quarter starts this Thursday, and I'll be taking a single class as I gear up to get “signed off” to use the presses on my own by my mentor, and dig in on the details of getting the book from conception to finished.

I'm close to deciding on the paper I’ll use. Because the press bed can’t take a sheet larger than 14 by 20 inches, this determines a lot of characteristics. I had planned a final book roughly 6 by 9 inches, but it looks to be easier to be 5.5 by 8.5 inches for a few reasons. This leads me to figuring out the size of the mothersheet, or the largest cut format you can buy.

Because of the maximum press size and paper size, the book will be printed in signatures (full sheets) of four book pages per size, which are then folded, gathered, cut on folded edges, and bound. That means the signature size is 11 by 17 inches. (Yes, a multiple of 8½ by 11.)

My mentor, Jenny, recommended a particular paper with a deckle edge on two sides and a nice tooth and texture. I’ve ordered some samples after reading up on its characteristics. (The deckle edge, discussed in a previous post, is a characteristic of the edge of the slurry from which paper is made exceeding the edge of the deckle, or wire frame, which suspends the fibers.) The issue is, however, that at 25.5 by 38 inches, I need to cut several 11 by 17 sheets.

I also need to think about grain, however, as paper is made in such a way typically that the grain of the fibers is aligned and predominates in one direction or another. With this sheet, the grain runs parallel to the deckle edge. I could cut 11 by 17 sheets in two ways, but for binding purposes, the folded final pages that are left uncut should also have their folded side parallel to the grain. If you go against the grain, the folding buckles and the pages can curl from top to bottom as well.

Cutting so that the grain direction is correct for folding the book for binding.

Cutting so that the grain direction is correct for folding the book for binding.

Thus to visualize I had this right, I created a grain direction and cutting diagram. The paper I’m purchasing comes by the sheet or, much more cheaply, in a box of 750 sheets. With my cutting plan, I’ll have 2,250 11 by 17 sheets and 1,500 8 1/2 by 11 sheets. I need 1,000 11 by 17 sheets to make the 125 finished copies of the book. A 64-page book will have eight signatures, each with four book pages per side. Eight times 125 is 1,000. Each side needs one pass per color, and I plan to use

I'm aiming for 125 books to ensure that I have some copies for myself, my mentor, SVC, and other folks; the 100 numbered copies for backers; and some extras in case the postal service of my or another nation destroys a backer’s copy en route.

With makeready, the paper you use to test while setting up a print job, and other discards, I will likely need more like 1,250 sheets for the project. The 8½ by 11 sheets I’ll use for the keepsake, though I may cut them down further or use a bleed, where I print larger than the finished size and then cut down to have the design run off one or more edges. And I may sell some of my extra stock to printers who don’t typically order such huge quantities.

The tricky problem is that because the interior edges of the cuts will be straight, the 11 by 17 sheets will fold to only have deckle edges on every other finished page of the book. I have to think about how that will feel. For that reason, I’m making a dummy from the few sheets I’ve ordered ahead of time. This is a complete blank copy of the book.

I also need the dummy as I’m meeting with a fine-arts printer and bookbinding to consult on and I hope hire to handle the binding for the project. That’s in a couple of weeks, and I plan to document my visit with her permission so I can post photos and more notes after that.

Somewhere this month, I need to finalize the book’s text, write some additional words, gather images, and design it. The layout doesn’t have to be complete until May. I’ll also be designing the keepsake in April in order to print it in May by my current schedule and planning, so that can be mailed in May or early June to backers who receive on at their pledge level.