One of my goals with all the printing projects underway, especially the book, is to be sure that my printing skills are good enough to achieve the level of quality and competence required. I carved out a particular set of parameters with the book to make sure that it would be both an interesting piece of work but also be achievable for me to print without years of training. The longer I print, the more nuance I’ll gain, plus I keep re-learning things that I lost the muscle memory and detail for in the past. Lots of knowledge and half-learned bits of practice keep bubbling up, both in the letterpress side and in designing the book.
My mentor, Jenny, is keeping me honest: if I get underway with the book, and it seems like I can’t print as well as I need to, we’ll hit a pause button while I get more practical work under my belt, and I’ll inform everyone of delays. I’m not going to go to all this effort and with all your trust and produce something that’s subpar.
Learning to use these presses involves both very few variables and a million ones. The proof presses that are the workhorse of modern letterpress weren't designed for production printing. They were designed to let press operators pull proofs of work in progress and test out printing. This means that elements like the set screws that lock in ink rollers to keep them a precise height to layer a film of pigment on type and other material in the bed of the press shift even when you've done everything right, over inking or under inking pages, and if you're not attentive and don’t stop, recalibrate, and continue, you could wind up with a rash of bad work.
I know all the coarse aspects of the press, which are few: How to lock type and other elements properly in the bed. How to pack the tympan, the padding that underlies the paper as you pass the paper over the material to be printer. How to set roller height. How to apply ink. How to oil the press to keep it in fine fiddle.
But I don’t have a deep bench. I've put in tens of hours on press in the last few months, not hundreds. I don’t want to print as an amateur, even as I know I lack the full experience required to print expertly, which means being able to respond to all the variables, troubleshoot them, and proceed within the range of quality required.
Fortunately I’m being backstopped by Jenny, Jules, and others in the community providing insight — and moral support.